The gig economy has become a dominant force in today’s workforce, but before it consumed a third of workers, the term “gig” was primarily associated with musicians. The origins of the word are debated, with some believing it comes from eighteenth-century horse-drawn carriages that doubled as stages, while others think it was adapted from a Baroque dance. However, the term gained popularity during the Jazz Age of the nineteen-twenties and thirties, referring to casual, one-off paid performances that held a mystique for musicians.
In his book “Band People: Life and Work in Popular Music,” Franz Nicolay explores the lives of working musicians, shedding light on the struggles and realities of those far from the spotlight. These “band people” include background vocalists, rhythm guitarists, and other hired guns who provide structure and support in the music industry. Nicolay’s book highlights the challenges faced by musicians who contribute to beloved songs and play alongside famous artists but still struggle to make ends meet.
Nicolay, a former member of bands like the Hold Steady and the World/Inferno Friendship Society, offers insights into the dynamics of bands as small businesses, creative collaborations, and even families. He delves into the complexities of band relationships, from hierarchy and decision-making to the emotional connections that bind musicians together. The book portrays the reality of the music industry, where success is elusive, and financial stability is often out of reach for many artists.
One of the key themes in “Band People” is the economic precariousness faced by musicians, who were among the original freelancers navigating a challenging and competitive industry. Nicolay discusses the reluctance to openly discuss money in indie rock circles, highlighting the privilege associated with avoiding financial conversations. The book also touches on the issue of song copyright and the challenges faced by musicians in receiving proper credit and compensation for their work.
Despite the struggles depicted in the book, there is a sense of camaraderie and resilience among band people, who continue to pursue their passion for music despite the odds. Nicolay’s interviews with musicians reveal a mix of emotions, from feeling like tired old whores to ambitious artists with entitlement issues. The book captures the complexities of being a musician in a rapidly changing industry, where success is elusive, and financial stability is a constant concern.
As the music industry evolves with the rise of streaming platforms like Spotify and the dominance of superstar artists, the opportunities for emerging musicians to build sustainable careers are dwindling. While access to a global audience has never been easier, getting paid for music remains a significant challenge for many artists. The dream of leaving gig work behind for long-term success still lingers for many musicians, who continue to navigate the uncertainties of an industry in flux.
In conclusion, “Band People” offers a candid and insightful look into the lives of working musicians, highlighting the challenges, sacrifices, and resilience required to pursue a career in music. Nicolay’s book serves as a reminder of the dedication and passion that drive musicians to create and perform, despite the economic uncertainties and competitive pressures of the industry. It sheds light on the often overlooked realities of being a musician and the ongoing struggle to make a living doing what you love.
